| |
|
-- All the history you need -- |
|
|
DYNASTY 29
THE BURNING ROSES
Paperback
|
DYNASTY 30
THE MEASURE OF DAYS
Hardback
|
|
 |
 |
|
|
|
Available in paperback from Sphere from November 2007 .
ISBN 978 -0- 7515-3346-0 |
Available in Hardcover from Sphere from November 2007.
ISBN 978-1-84744-151-5 |
Buy UK • Buy USA |
Buy UK
• Buy USA |
| Read an excerpt |
Read an excerpt |
|
|
GREAT NEWS FOR DYNASTY READERS!
Buy the entire Dynasty series in paperback and get a 15% discount, plus free postage in the UK!
Email Ray Barlow with your order or enquiry, quoting offer reference LB24
(Note: sorry, but signed copies of the Dynasty books are not available when taking up this offer.
Signed copies of some titles may be purchased from CH-E. Please email for details, stating which books you are interested in.)
About the Morland Dynasty - the longest-running historical family saga ever!
“FROM the Wars of the
Roses to Queen Victoria’s long reign, England’s history is the rich background
to the Morland Dynasty. Morland Place in Yorkshire is the cradle of the dynasty,
but war and famine, peace and plenty, love and loyalty, greed and envy spread
the lines of the family throughout the country – into the courts of kings and
the salons of the Regency, onto the battlefields of Culloden and the Crimea,
into the slums surrounding the cotton mills and along the raw permanent ways.
Through the centuries the Morlands feud and reconcile themselves, they bloom in
times of fortune and shoulder the privations of poverty with stoicism, and their
story brings the vivid history of their times to life with extraordinary
brilliance.” (Publisher's press release)
THE MORLAND DYNASTY
books in order:
All now available in paperback from Warner Books
| 1 -
THE FOUNDING |
Begins: 1434 |
| |
Period: Wars of the Roses; Richard III |
|
|
Seeking power and prestige,
grim, ambitious Yorkshireman Edward Morland arranges a marriage between his
meek son Robert and spirited Eleanor, young ward of the influential Beaufort
family. Eleanor is appalled at being forced to marry a mere ‘sheep farmer’;
she is, besides, secretly in love with Richard, Duke of York. Yet in time
this apparently ill-matched union becomes both passionate and tender, the
foundation of the Morland ‘dynasty’, and sustains them through bloody civil
war which so often divides families, sets neighbour against neighbour, and
brings tragedy close to home. |
| 2 -
THE DARK ROSE |
Begins: 1501 |
| |
Period: Henry VIII |
|
|
Paul, great grandson of
Eleanor Morland, has inherited the estate and has a son to follow him. But
he fathers an illegitimate boy by his beloved mistress, and bitter jealously
between the half-brothers causes a destructive rift that leads to tragedy.
Paul’s niece Nanette becomes maid-in-waiting to Anne Boleyn, and at the
court of Henry VIII witnesses at first hand the events leading up to the
rift with Rome, her mistress’s execution, and the further efforts of the
sad, ailing king to secure the male succession. |
| 3 -
THE PRINCELING |
Begins: 1558 |
| |
Period: Elizabeth I, Mary Queen of Scots |
|
|
Protestantism is sweeping
the land and threatens the position of the Catholic Morlands, so they must
seek new spheres of influence. John, the heir, rides north to the untamed
Borderlands to wed the daughter of Black Will Percy, Northumberland cattle
lord. But he finds he must first prove himself, and win her heart through
blood and battle. John’s gentle sister Lettice is given in marriage to the
ruthless Scottish baron, Lord Robert Hamilton, and in the treacherous court
of Mary, Queen of Scots, she learns the fierce lessons of survival.
|
| 4 -
THE OAK APPLE |
Begins: 1630 |
| |
Period: Charles I, the Civil War |
|
|
When civil war destroys the
long years of peace in England, the clash between King and Parliament is
echoed at Morland Place. Richard, the heir, brings home a Puritan bride,
while his dashing brother Kit joins the Royalist cavalry under prince
Rupert, leaving their father, Edmund, desperately trying to steer a middle
course. As the war grinds on, bitterness replaces early fervour and
divisions grow deeper, and through it all Edmund struggles grimly to protect
his inheritance and keep Morland Place intact. |
| 5 -
THE BLACK PEARL |
Begins: 1659 |
| |
Period: Charles II, the Restoration |
|
|
The bleak years of
Cromwell’s Protectorate are drawing to a close. Civil war and its aftermath
have left Morland Place in bad case, but with the return of the king, Ralph,
the master, believes he can rebuild its fortunes. For his beautiful and
ambitious cousin Annunciata it means a journey to London where, embroiled in
the amours and intrigues of Charles’s Court, she makes her fortune and at
last unlocks the secret of her past. A kinder age is dawning, but still
uncertainty, conflict and sorrow await both Ralph and Annunciata before they
can find peace and forgiveness. |
| 6 -
THE LONG SHADOW |
Begins:1670 |
| |
Period: Charles II, James II |
|
|
Morland Place has
flourished under Ralph’s stewardship, while Annunciata is a great lady of
the Court. Splendid futures seem to be promised for her children; but the
religious rift opened by Henry VIII has never been fully healed, and
conflict resurfaces at the accession of the Catholic James II. Frightening
times ensue, when it is impossible to know who to trust. Annunciata herself
is put on trial, while jealousy, betrayal and sudden death threaten her
family. And in the shadow of revolution comes a new love to Annunciata, one
that can only lead to tragedy. |
| 7 -
THE CHEVALIER |
Begins: 1689 |
| |
Period: William and Mary, Queen Anne, George I, the Old Pretender (1715
Rebellion) |
|
|
Annunciata, fiercely loyal
to the Stuart cause, follows King James II into exile, leaving her gentle
grandson Matt to care for Morland Place. In her absence he contracts an
unwise marriage with India Neville, a woman as heartless as she is
beautiful, who drives him between the extremes of passionate love and deep
despair. When James III – the Chevalier – returns to claim the Stuart
throne, the Morlands are reunited in one country. The rebellion fails, and
Annuniciata’s sons are on trial for their lives, but defeat and even death
itself cannot conquer the Morland sprit. |
| 8 -
THE MAIDEN |
Begins: 1720 |
| |
Period: George I, George II, the Young Pretender (Bonnie Prince Charlie,
1745 Rebellion) |
|
|
Political intrigue is rife
as the Stuart-Hanoverian struggle continues. Jemmy, heir to Morland Place,
contracts a dutiful marriage to the chilly Lady Mary in order to secure
Hanoverian protection and safeguard his inheritance. Morland lives are riven
by the ’45 rebellion and the bloody massacre at Culloden, and at their
lowest point, their fortunes rest in the small hands of Jemmy’s daughter
Jemima. Intelligent and single-minded, Jemima proves a capable caretaker of
the Morland heritage, and although Morland Place and its lands suffer from
the excesses of her dissolute husband, her quiet courage earns her an
abiding love and loyalty. |
| 9 -
THE FLOOD-TIDE |
Begins: 1772 |
| |
Period: George III, American War of Independence, Enclosures
|
|
|
England is peaceful under
George III, and Morland Place flourishes under the careful tending of Jemima
and her loyal husband Allen. Their seven children often bring them
heartache, but they are sustained by their love for each other and their
absorbing interest in improving the estate lands. But beyond England’s
shores things are not so calm. Morland cousins find themselves embroiled in
the American war for independence, and the family’s bastard offshoot, Henri,
disports himself in the salons of Paris while outside revolution creeps
closer. |
| 10 -
THE TANGLED THREAD |
Begins: 1788 |
| |
Period: The French Revolution; beginning of Industrial Revolution
|
|
 |
In France, as the
revolution begins, Henri, the bastard offshoot of the Morland family,
strives to protect his family. He binds his daughter Heloise in loveless
marriage to a Revolutionary, and allies himself with the vigorous Danton.
But in the bloodbath of the Terror and the fall of Danton, Henri goes to the
guillotine and Heloise flees to England where she is welcomed warmly by the
Morland family. In Yorkshire Jemima’s troublesome brood cause her anxiety –
especially her youngest, Lucy, who disguises herself as a boy and runs away
to sea - but at last she sees three of her children marry and the hope of an
heir to Morland Place. |
| 11 -
THE EMPEROR |
Begins: 1795 |
| |
Period: Rise of Napoleon |
|
|
The shadow of Napoleon is
falling across Europe, and a restlessness seems to be changing mores and
loosening society’s restraints. At Morland Place James’s marriage to Mary
Ann is falling apart; Lucy’s to Chetwyn is in the balance as she embarks on
a blatant affair with a sea officer; and William supports a mistress he
cannot marry. Mary goes to sea with her husband Captain Haworth and is
caught up in the battle of the Nile; and as war becomes inevitable, Lucy
knows she must say goodbye to her love as every fighting captain waits
eagerly for his commission. |
| 12 -
THE VICTORY |
Begins: 1803 |
| |
Period: The Regency; Beau Brummell; Industrial Revolution; Battle of
Trafalgar |
|
|
Lucy’s lover Weston, and
Mary’s husband Haworth, are both sea-officers involved with the naval
blockade. James’s wife, Mary Ann, sees for herself the grim realities of
life in the slums of plague-torn Manchester. And while Lucy enjoys the
frivolities of Regency London, her neglected husband Chetwyn seeks comfort
in a quarter which will bring him disgrace and ruin. |
| 13 -
THE REGENCY |
Begins:1807 |
| |
Period: the Napoleonic Wars; the Peninsular Campaign; the Industrial
Revolution |
|
|
As armies march and
counter-march across Europe, Lucy, trying to rebuild her life after the
death of Captain Weston, receives an unexpected and disturbing offer of
marriage from an army officer. James and Heloise are happy at Morland Place,
except for the hostility of James’s daughter and heiress Fanny towards her
stepmother. Fanny is eager to inherit more than just Morland Place, and
visits her maternal grandfather in Manchester in the hope of persuading him
to leave her his cotton mills. But for all her hard-headedness, she falls in
love with the dashing but unscrupulous Lieutenant Hawker, and her
determination to marry him threatens disaster. |
| 14 -
THE CAMPAIGNERS |
Begins:1815 |
| |
Period: the campaign of the 100 Days and the Battle of Waterloo
|
|
|
Napoleon’s escape from Elba
has convulsed Europe. The Allied Army is gathered in Flanders, and where the
Army is, the fashionable world must follow. So Lucy and Heloise both take
their daughters to Brussels for the most exhilarating Season ever. Romance
flourishes in the warlike atmosphere. Rosamund must finally come to terms
with her feelings for her cousin Marcus; Sophie meets an enigmatic French
major who may change her future; and Heloise renews acquaintance with a
former suitor. The looming shadow of battle only makes the dancers whirl
more feverishly, but when the army marches out to face the might of the
French at Waterloo, one question is in every heart: which of them will not
come back? |
| 15 -
THE RECKONING |
Begins:1816 |
| |
Period: Post war slump; Chartism; Pentrich Revolution; industrial progress
|
|
|
Napoleon has been defeated
at last, but victory brings no peace to England. The cost of war has been
devastating. Inflation rages, bankruptcies multiply, and many of the ruined
flee to the continent, including that symbol of the age just past, Beau
Brummell. Discharged soldiers swell the ranks of the unemployed, wages
tumble and the bread price soars. It is a tinderbox which takes only a spark
to flame into riot. James and Heloise stand guard over Morland Place, but a
tragic accident takes the one person they depend on. A devastating scandal
brings the Morland name into the glare of public notoriety with a trial in
the House of Lords. And Sophie and Rosamund each have to learn the
difference between real love and its enticing but dangerous illusion.
|
| 16 -
THE DEVIL’S HORSE |
Begins: 1820 |
| |
Period: George IV; the factory age; the Rainhill Trials; Liverpool and
Manchester Railway
|
|
|
The landscape of England is
undergoing sweeping change as the country pioneers the steam-driven machine
age. In Manchester, Sophie and Jasper face violent opposition to their plans
for rehousing factory hands; Lucy brings her sons home from their Grand
Tour, brimming with ideas for their future; and Rosamund enters a bizarre
agreement with her husband, with tragic consequences. And at Morland Place
two brothers grow up with very different tastes and an unspoken rivalry.
|
| 17 -
THE POISON TREE |
Begins: 1831 |
| |
Period: William IV; 1832 Reform Act; the railway pioneers
|
|
|
As England emerges from the
post-war depression, the country is changing, and the birth-pangs of a new
age brink it to the brink of revolution. Violent times breed violent acts.
Sophie’s life is shattered by a hideous crime. Morland Place falls into
chaos as Heloise removes her hand from the reins. Benedict is forced to
leave home and makes a life among the railway pioneers, leaving Nicholas
free to indulge the dark side of his nature. And amongst them all stalks the
deadly invisible threat of cholera. |
| 18 -
THE ABYSS |
Begins: 1833 |
| |
Period: William IV, Victoria; the Railway Age; George Hudson
|
|
|
The industrial age is
sweeping through England and the Stephensons are planning the greatest
engineering scheme ever undertaken – a railway line from Liverpool to
London. At Morland Place, Nicholas had hoped that his brother Benedict had
been banished for ever. But railway fever brings Benedict back to York as an
engineer on the Leeds & Selby line. When plans are formed to bring the
railway to York, Nicholas not only fears his brother may steal his
inheritance, but that the iron horse will destroy the very Morland lands.
The conflict between the brothers mirrors the nation’s battle between old
and new. |
| 19 -
THE HIDDEN SHORE |
Begins: 1843 |
| |
Period: the early Victorian Age; Philanthropy |
|
|
When Charlotte’s father
dies she believes herself to be destitute. But a lawyer’s letter reveals she
is not only a part of the Morland family, but wealthy and a countess in her
own right. She is expected to make a great marriage, and with her vivacious
cousin Fanny at her side she is launched into her first Season. It is Fanny,
the hardened flirt, who loses her heart first, while Charlotte catches the
eye of Oliver Fleetwood, the most eligible man in London. But the Season
ends in disillusion, and Charlotte turns away from the life of idle
amusement in search of something more substantial, though it involves
flouting convention. |
| 20 -
THE WINTER JOURNEY |
Begins: 1851 |
| |
Period: the Mid-Victorian Age; The Great Exhibition; the Crimean War
|
|
|
The Great Exhibition brings
all the Morlands to London – including a cousin from America. Charlotte is
using her wealth and social position to build a hospital, and, aware of how
badly sick people are nursed, defies convention to train a team of female
nurses. When the Crimean war begins, and her brother Cavendish departs with
his cavalry regiment and her husband is called on to serve with the
Intelligence Department, Charlotte goes too. Not all the soldiers’ courage
or high spirits can save them from the brutal horrors of war, and as the
bitter Russian winter sets in, Charlotte’s nursing skills are desperately
needed as the army falls victim to cholera, dysentry, frostbite and
gangrene. |
| 21 -
THE OUTCAST |
Begins 1857 |
| |
Period: The American Civil War; the Divorce Act; the first Underground
Railway |
|
|
At Morland Place,
Benedict’s peaceful life is overset when a mysterious orphan arrives. No-one
can understand why he takes this waif into the household, but the strain his
arrival causes forces Benedict to take the boy to America, to join his
much-missed daughter Mary. There Benedict becomes enamoured of the Southern
way of life, just as bitter civil war is about to destroy it forever.
|
| 22 -
THE MIRAGE |
Begins: 1870 |
| |
Period: High Victorian Age; Franco-Prussian War; changes to medical training |
|
|
George inherits Morland
Place just before his majority, and though he believes himself more than
equal to the challenge, he falls victim to the penniless but determined Miss
Turlingham. He marries her against advice, and embarks on a spending spree
the estate cannot afford to satisfy his new bride. In London, Charlotte’s
daughter Venetia, inspired by what she witnessed in Berlin during the
Franco-Prussian war, is determined to become a doctor. But society is not
ready to let women join the profession, and her struggle seems doomed to
failure. |
| 23 -
THE CAUSE |
Begins: 1874 |
| |
Period: High Victorian; women’s rights |
|
|
Venetia is on the brink of
marrying Lord Hazelmere when she discovers he does not mean to allow her to
continue training as a doctor. She calls the wedding off, and from being the
talk of the Season becomes the scandal of the year. Estranged from family
and friends, she needs all her determination to continue the fight. At
Morland place George and Alfreda continue to spend on grandiose building
schemes despite the threat of bankruptcy; while Henrietta’s cold marriage
to the ascetic Rector of Bishopthorpe brings her close to questioning her
religion. |
| 24 -
THE HOMECOMING |
Begins: 1885 |
| |
Period: Late Victorian; Oscar Wilde; Prince of Wales's Set; Girls' Education |
|
 |
With the death of her
rector husband Henrietta is finally free to marry her love, the wealthy and
handsome Jerome Compton. But Victorian propriety disapproves of Jerome’s
divorced status, and the couple are forced to seek anonymity in London.
Henrietta finds she takes to urban life with great enjoyment, and she meets
and becomes close to her cousin, Lady Venetia. Initially shunned for
pursuing her medical career, Venetia is now a respected doctor, while her
marriage to “Beauty” Hazelmere has redeemed her socially, and she finds
herself drawn into the elite circle of Bertie, Prince of Wales. But while
the cousins both thrive, storm clouds are gathering, and one of them will be
forced out of society and into exile… |
| 25 -
THE QUESTION |
Begins: 1898 |
| |
Period: Late Victorian/Edwardian; Boer War; Motor Cars; Suffragettes |
|
|
On the brink of a new
century, the great stability of Victorian England is under threat. Europe is
dividing into armed camps, while at home socialism and the suffragette
movement challenge traditional values. At Morland Place, Teddy begins to
restore the estate to its former glory, while his sister Henrietta’s family
fill the house with life, and nephew Bertie finds a haven from the
strictures of his own home. As Victoria’s reign draws to a close, war with
the Boers becomes inevitable. Young men volunteer in droves, among them
Henrietta’s beloved ‘extra son’ Bertie. The Tommies march
off singing, eager for a scrap; but
what horrors will face them under the burning South African sun, and which
of them will come marching home again? |
Buy Hardback ISBN 0-316-64618-0
Buy Paperback ISBN 0-7515-2529-4
Buy USA
| 26 -
THE
DREAM KINGDOM |
Begins: 1908 |
|
|
Period: Edwardian; Aviation |
|
 |
In the height
of Edwardian splendour, Jessie and Violet share a sparkling London debut. At
Morland Place, Teddy's business is expanding and he brings home a new wife,
to the anxiety of his sister Henrietta who knows there can't be two
mistresses of the house. England is a land of confidence and opportunity but
below the surface troubles are stirring. The death of the King brings to a
head the constitutional crisis, while abroad the flexing of Russian and
German might are an ominous sign of the dangers that lie ahead. |
Buy Hardback ISBN 0-316-86005-0
Buy Paperback ISBN 0-7515-3343-2
Buy USA
| 27 -
THE RESTLESS SEA |
Begins: 1912 |
|
|
Period: George V; Titanic; Cat and Mouse Act |
|
England still
conducts herself with Edwardian confidence; but beneath the surface cracks
are breaking society apart. Socialism, strikes and riots, social unrest, and
then the disasters of the Titanic and Captain Scott shake the ordered world.
Among the Morlands, Jessie and Violet struggle to adapt to the demands of
married life; Jack, unlucky in love, designs aeroplanes and trains pilots
for the new Royal Flying Corps; and Anne, as the struggle for the Vote
becomes more violent, takes comfort in the friendship of an unusual young
woman. Meanwhile, the war no-one wants comes ever closer… |
| |
|
| 28 - THE WHITE ROAD |
Begins: 1914 |
|
Period: Beginning of WW1 |
|
The outbreak of war is greeted with euphoria. Thousands flock to volunteer. Everyone believes the war will be over by Christmas, so there’s no time to waste. Bertie, a reservist, is one of the first to go to France; Jack is invited to join the Royal Flying Corps, and Ned joins one of the new ‘Pals’ units. The brutal reality of Ypres dispels illusion, but only fuels determination, as the war comes home to everyone, in ways they have not expected.
|
| |
|
| |
| |
| 29 - THE BURNING ROSES |
Begins: 1915 |
| |
Period: Continuing WW1 |
|
The euphoria of the first days of the war has faded, but the nation is more determined than ever to win. While the Morland men go overseas, the women play their part at home, but it is a strange and emotional time for all. And with the Eastern Front at stalemate, all now depends on the new offensive on the Western Front at Loos... |
| |
|
Buy Hardback ISBN 0-316-86106-5
Buy Paperback ISBN 0-7515-33467
Buy USA |
|
| |
|
| And now the latest episode |
| 30 - THE MEASURE OF DAYS |
Begins: 1916 |
| |
Period: Continuing WW1: The Somme |
|
The war comes home to the Morlands when Ned is listed Missing at Loos. Violet puts everything at peril by her wild affair with a young artist, and Jessie goes to London to nurse in a military hospital. The quiet spring and summer of 1916 end in the violent eruption of pitched battle on the River Somme, and five Morland men are in the thick of it...
|
Buy Hardback ISBN 9781-84744-1515
Buy USA
|
|
HOW IT ALL BEGAN
" THE ORIGINAL IDEA for the series was a ‘history without tears’: fictional characters in a real historical background. The plan was for the whole run of British history from the middle ages to the Second World War to be covered in twelve volumes, written alternately by two different writers. This idea almost immediately proved impractical, and I was given the whole twelve.
THE SCHEDULE I was given was of five hundred years broken into sections of thirty to fifty years, with big gaps in between, making sure each chunk contained some interesting historical event or trend. But as the series grew I found myself slipping further and further off schedule. For one thing, I found I wanted to include so much more than had been planned for: not just the kings, battles and Parliaments, but how people lived, what they wore and ate, how they gave birth and died, how they built their houses and related to their servants, how they travelled, what they believed in. And for another thing, the fictional characters took on a life of their own, and many readers became as interested in them as in the history. So the gaps between books got shorter, and the time I covered in each book shrank, but was covered more intensively. The publishers responded to this change by extending the contract beyond twelve, first to seventeen, then twenty, then twenty-five, and now to thirty-four. God bless their commitment!
THE WHOLE SERIES has recently been re-jacketed, in stunning new covers which are illustrated with fine art reproductions from the appropriate period. The books look really good lined up along a shelf, so if you have been thinking of collecting them, now is an excellent time to start! If you are interested in English history - if there are gaps in what you learned at school that you would like to fill – or if you simply enjoy a family saga (and there is no longer one than this anywhere in literature!) then do come and join us at Morland Place."
GREAT NEWS FOR DYNASTY READERS!
Buy the entire Dynasty series in paperback and get a 15% discount, plus free postage in the UK!
Email Ray Barlow with your order or enquiry, quoting offer reference LB24
(Note: sorry, but signed copies of the Dynasty books are not available when taking up this offer. Signed copies of some titles may be purchased from CH-E. Please email for details, stating which books you are interested in.)
WHERE IS MORLAND PLACE?
| Of course the Morland family is fictional
and their homes are made-up places, but the original Morland home in book
one (THE FOUNDING) - Micklelith House - was based on Tretower Court in
Wales. Tretower Court is on the A479 just north of the junction with the A40
from Abergavenny to Brecon. For more on Tretower Court,
click here. |
|
|
 |
The Morlands’ new home, built later in
THE FOUNDING and named Morland Place, was an amalgam of many places and of
none, but perhaps drew most on
Beningbrough Hall, just north of York and to the west of the A19. Both
places can be visited. |
As to the position of this fictional family seat, it is
just to the south west of York, between the B1224 Wetherby Road, Askham Lane and
Holgate Beck. People who know the area will know that many of the places I
mention – Ten Thorn Gap, for instance, Harewood Whin, Hob Moor, Low Field and
Bachelor Hill, – are real places, as are most of the streets and buildings I
mention in York itself. The “village” which is referred to from time to time
can be supposed to be somewhere between Acomb and Holgate, and the Morland
estate at its largest stretched all the way to the river Ouse just below
Redhouse Wood one way and to Askham Richard the other.
When writing this particular blend of fiction and history,
it is always difficult to be specific about where one ends and the other begins.
I can only say that anything that is clearly history rather than make-believe is
as accurate as I can make it; and that when I use people in my stories who
really existed – kings and queens, prime ministers, generals and so on – I use
their own words wherever possible, and their own descriptions, or those of
people close to them, of their actions and characters.
But please remember that, while I hope the series may help
you get a grip on our fascinating history, it is
meant to be entertainment. Please don’t get worked up if you catch me out in a
mistake of omission or commission. I’m only human after all.
YOUR QUESTIONS ANSWERED
I’d like to say thank you to everyone
who has sent me a message via this site. I will try to answer every one
personally, but owing to pressure of work, it may take some time. I assure you
that every single message is read and much appreciated.
If you have any questions about any of
my books, please take the opportunity of the message icon to ask.
Is there something you'd
really like to know about the Morland Series?
FAMILY TREE
There have been many
requests for publication of a full family tree covering the whole series. I’m
afraid this is not practicable. The family tree is far too big and would need
special software to access. However, you will now find the family tree for each
volume here on the website (See under The Morland Dynasty Books in order) for
you to study, refer back to, or download as you please. I hope this helps.
|
ISBN 0-316-86104-9
ISBN 0-7515-3345-9